In celebration of the holidays, I'm going to post an audio recording of one of the Christmas stories from my book March of the Animals every Thursday.
I love these stories so much. I hope you enjoy them too.
In celebration of the holidays, I'm going to post an audio recording of one of the Christmas stories from my book March of the Animals every Thursday.
I love these stories so much. I hope you enjoy them too.
Today, I rescued my Christmas squirrel from storage. Covered in glitter and toting a festive red acorn, he’s a bit of a joke to the tree squirrels outside my cottage windows. I'm pretty sure a squirrel just fell off my roof laughing. I’m concerned.
Lately, I’ve been noticing the words coming out of my mouth and how they reflect what’s going on internally.
Chances are good that precisely zero squirrels are laughing at my jolly, if rather effeminate, Christmas squirrel. There is no wildlife judgment. But it’s a bright reflection of where I’m judging myself.
Maybe it was the light of the full moon or maybe it’s starting two businesses at the same time, but all of my darkest fears and worst patterns have been making a fine showing this week. Realizing in horror how much scarcity and lack I still feel, when shouldn't I be past that already? Beating myself up for minor infractions that are actually just normal human circumstances, and shouldn’t I be past that already?
Self-judgment has been flying fast and thick. Now I’m applying it to squirrels, who have probably never judged a thing in their lives beyond the likelihood of that hole hiding this nut.
Shadowy revelations aside, I’ve simply been pushing myself too hard. So today I cancelled my (thankfully light) day and climbed back in bed with gingerbread tea, kindle, and stuffed sea otter. And the squirrels have gone blessedly silent.
One of my favorite ways of grounding myself when I’m flailing or disconnected from my body is to look at what’s in front of me.
Pumpkin, left over from the season of squash. Paper crane, folded out of a brightly colored napkin by my aunt and placed on my plate at Thanksgiving. Wooden box filled with essential oils. Crystals in a blue bowl. Candles in seasonally-appropriate scents. Tiny pinecones, given to me by a six-year-old who assured me they were magic. Giraffe in full lotus hanging from a silver tree. Framed print of the last Calvin & Hobbes cartoon ever drawn, the one I read to my Dad when he was dying, given to me by my boyfriend last Christmas.
Deep breath in, oxygen out. My face, pale in the light of the glowing screen, reflected in the window before me. Flame flickering, warm and golden, in a room at dusk.
Today has been rough. A lot of emotion - sadness, grief - has been appearing out of seemingly nowhere. That happens sometimes. Stuff collects without release, or something old decides to have one last hurrah before exploding in a shower of sparks. I don’t know and I don’t need to know.
But I do need to write, because I haven’t written regularly in a long time and it’s time to jump back in. It’s been a year of transition and transformation, one of grief and of joy. I don’t have many of my stories written, because I was busy with other things. But, as a writer, I can’t let myself be busy with other things for too long or the overflow begins to rise to dangerously tsunami-like levels.
Writers need to write.
We write to clear, connect, create, share. We write to put words to what’s swirling around inside us, even when the words don’t come or sound disconnected and discombobulated, as I suspect these do.
What is in me that still needs to come out? I don’t know. But I’m hoping that if I sit down to the writing every day in December, I’ll find out.
Welcome to the Yule (B)log! I’ll be posting every (week) day in December because daily blogging is one of my favorite ways to jump back into writing after a hiatus - it slices through perfectionism and allows me to capture moments I wouldn’t otherwise.
Everything feels like it’s zinging ahead at warp speed. It also feels like it's moving as slow as blackstrap molasses. Life so enjoys its contradictions.
Sign of the times, I suppose - and these are very interesting times. You’re feeling it too, I’m sure. Like everything you thought about your life has suddenly flipped inside out and situations that were idling in the garage are suddenly launching forward, sometimes straight through the still-closed garage door. While other situations have unexpectedly come to a slamming halt or changed tracks entirely.
Astrologically speaking, things haven’t been this interesting since the ‘60s and, as we all know, the ‘60s were a decade of massive change.
Spiritually speaking, we’re receiving great influxes of light. Like we’re being downloaded with what we need to shift the planet away from destructive patterns that humanity has found itself entrenched in. While this involves flux and the break-down of certain systems, I believe the possibilities are far greater than we can currently conceive.
I believe my job - and yours as well, if you’re reading this - is to hold that expanded sense of light and love and possibility. To send that love to the places in the world that are being deeply challenged. To send our brightest rays of light into places that are feeling the shadow.
In a session I had last week with one of my writers, I said that we don’t feel the shadow unless we're being touched by the light.
When those shadows crop up in my life, when I feel the deeper spirals of areas of challenge that I’ve been working on for so long, I try to remember that we only feel the shadow when the sun is moving over us.
I believe it’s our job to dream bigger than we ever have, both in our own lives and in what’s possible for this spinning blue orb on which we live.
Some are diving bravely into the light and the shadow, some are resisting with all their very powerful might. As I develop my fledgling business I’m seeing both - in others and in myself.
My shadows show up in my frustration with others, always places where I’m deeply frustrated with myself in a way I don’t fully see yet, so it has to be shown to me in the guise of someone in my life. My resistance shows up in money - another spot of historic shadow. (Oh, money.) Intellectually, I’m beginning to understand that money is simply another channel of energy as well as another way to see the reflection of where we still want growth. But emotionally, I still sometimes get sucked into the morass. (Oh, the deep sucking morass of suck.)
Money collects so much shame and so many shoulds. I should have more than I do, I should have worked harder, I should have worked better. I should be working on my writing but I’m working on money, I should be working on my writing but I’m working on money. I should be saving more, I should be spending more.
See how it’s all work? Hard and contradictory and there’s just no winning. Locking myself in with the brain gremlins and letting them yell at me is the surest way to stay in the swirl.
My task now is to breathe through each moment. When in doubt, make sure I’m inhaling oxygen - in and out, in and out. My job is to look for what feels fun, what feels like play. To inhabit my body and life fully. To write my story without judging my story or how I tell it. To see myself in others and ask myself to take any frustration I feel and look for that source of frustration in myself rather than spackling it all over the person who’s reflecting it back to me. To take things seriously while holding them lightly.
We all have a deeply important job, and it's more important than ever. My question is - and I would genuinely love to hear your answer - what feels like your task now? What feels like the best way you can be you? Which is, in the end, is the very best way you can contribute to the experience we're all sharing here on this earth.
If you've been working too hard and vehemently not practicing what you preach - "take care of yourself! take naps!" she croons blithely while waking up at o'dark thirty, reaching for her laptop, and going under for ten hours - a face swollen with poison oak and an optometrist who says "how did your eyes get that much worse in a month?" is a bitch slap to wake up. We teach what we most need to learn. It's why I'm always on about self-care and self-love and connecting with yourself. Because I will actively and insistently not take care of myself - I don't have time! I need to attack my to-do list! I need to make money!* - until my body is required to battle with a vicious plant and basically blind me to make me stop.
* fear, fear, fear - something I remember when I'm taking care of myself
I can't do the work I do - write and create and channel - without taking care of myself. First. Not as an after-thought. Not after my body wrestles me to the floor and makes me beg for mercy.
Every morning is for me, not for work. I need to run or dance daily. Every breakfast is to be eaten on the deck in the sun, with no devices and no distractions. Every meditation is to find out if my heart has something to say or if it's just my head hosting a gremlin party, cackling and poking my fear-centers with their pitchforks. I need to plop down in front of my altar and re-find the peace. If the day goes south at any point, I need to haul my butt right back there and remind myself of what is true. Pull my thoughts into the center of my head and drop them into the calm well of my heart. Peace, not noise.
Because writing from my head doesn't do anything for anyone. Thoughts, old voices, static. But when I'm taking care of myself, I get pulled. Pulled into something that needs to be said, something that comes from a place of love and occasional near-tears. That's when it connects and resonates and the magic happens.
Bonus: More naps and less worrying.
A teacher gave me an assignment a few months ago and I would tattoo it on my forehead if needles didn’t make me squawk like an indignant chicken:
For those who don’t speak hippie, raising your vibration basically means turning up the dial on your joy and happiness. Even turning it up one notch above awful fulfills the assignment. Feeling whatever you’re suppressing because you’re scared or don’t have time or just don’t wanna fulfills the assignment. Stepping away from something frustrating to refill the tank fulfills the assignment.
As I focus on my new project for writers, I'm realizing just how crucial this kind of self-care is. How crucial every kind of self-care is. I'm getting really noisy about it, actually.
I'm even getting mad. Mad at myself for being so resistant to the idea for so long. Mad at the world for telling us we aren't worth this kind of care, that everyone else deserves it before we do, that taking deep and loving care of ourselves means we're being selfish and self-indulgent. I'm not quite sure how this crossed over from "good idea" to "thing that makes me want to yell and hit things because so few people believe this is true," but here we are. (I haven't hit anything yet, but I reserve the right.)
It just makes me want to curl up and cry. When did we collectively decide we weren't worth taking care of ourselves? When did we decide that our worth was contingent on what we put out, rather than who we are and how we feel? When did we forget that everything we send out into the world is rooted deep within us and if we send things into the world from a place of need and lack and disconnection, our world will absorb that message until it's passed on unconsciously to our friends and our children and everyone else who comes after us?
NOPE. STOP. NO MORE. Because you are worth all the gentleness, all the love, all the hikes, all the naps, all the massages, all the yoga, all the emotional tending, all the however-you-choose-to-define-it self-care you can muster up. You are worth all the soup.
Soup?
Yes, soup. It's one of my favorite parables explaining the idea of growth and self-care. There's a table. You and all your friends and family are sitting around this table. You're all starving. From the ceiling descends a bowl of soup. It lands right in front of you. You are the only one who's allowed to dip your spoon into the soup. No one else can have any soup.
Here's the big question: Do you eat the soup?
Yes. You eat the soup.
Many of us fight this concept, especially if we're accustomed to believing that others are more important than we are or that belonging is more important than our own wellbeing. In some ways, it stems from a good place. We care for others. We want to be with them, we want to understand them, we want to feel connected to them. We all have a deep-seated desire to belong. Historically, we know we need to be part of the herd to survive. Stragglers get eaten by peckish mountain lions, after it chases you around for awhile to get you nice and salty.
You starving to death doesn't help your friends and family. Not even a little bit. Your pain doesn't remove their pain. You being in pain only adds to the pain of the room.
Yes, there's some guilt associated with taking deep and tender care of yourself. Because suddenly you're feeling better than people around you. But the guilt isn't because you aren't taking care of those people - you can't take care of them. They can only take care of themselves. The guilt stems from taking care of yourself when those around you aren't.
Just as your pain would only add to the pain of the room, your happiness also adds to the room. If you're in a happy space, that lightness will lift those around you, even if they don't recognize it. If you're taking care of your body and your emotions, it will show others that they're allowed to do the same. Your joy will show others that joy is possible.
Eat the damn soup. Feel better. Because feeling better is the magic bullet and I will never shut up about it.
So many of our human issues are tied up in money. Both on a global scale and on a deeply personal one. Money in and of itself is a neutral force. But money easily absorbs whatever emotions we want to plaster on top of it. Money represents so much to us - love, power, success, freedom. Any one of us can have any one of these things without money, but we throw money up as a barrier to what we want. I know I sure do.
My tendency to under earn throughout my adult life has affected my self-esteem and my belief in my talent and my success. At times, to an unreasonable degree. Lots of people slam face first into this particular brick wall - especially artists.
When tying my self-worth up in my belief that lack of money equals lack of talent, I also had to admit that I never really invested in myself or in the kind of writing I truly want to do. Sure, you don't necessarily need money to do this, but you do need energy. To be fair, much of my work over the past five years was to get me to the point where I felt like I could invest in myself this way. I've been blogging for almost ten years. I wrote stories I cared about. I used words to preserve pieces of myself and my history. I did my best to adjust my lifestyle so that my energy was solid and my sensitivities managed. When I hit rock bottom, I did what I could to lurch upward. When I hit rock bottom again, I flailed and then I found help in the upward lurch. Some writers need writing to find themselves, some writers need to find themselves before they can truly write. I needed both. Not that we are ever found, of course, that's kind of a dumb phrase. We're always here, but maybe we're buried. Or we've slipped away from ourselves, our intuition, our deep knowing of who we are and what we're here to do.
I spent a lot of my thirties hunting for myself, digging through the layers until I found my center. Then I lost my center, found it, lost it, then I found it again. So it goes with center-finding. Balance is never rock solid, it's always at the mercy of the wind. Until you realize that the wind can't blow you any farther than you choose to go.
But one of the things I still struggle with is money. Lucky for me, now I can struggle with money while actually having some. When my dad died, he left $40,000 buried in the woods (true story) and a piece of property that we decided to sell. Buried treasure doesn't last long when you have hospital bills and mortuaries to pay, but the property sale helped me get to the place where I always believed I should be at this age. Namely, solvent.
Some of me felt guilty that it took a parent dying to get me there. Sometimes it felt like blood money, but most of me didn't feel that bad about that. I was perfectly willing to look at it as a paycheck for dealing with the pain, anguish, stress, grief, and crazy details of death more or less gracefully. (Mostly less.) What I felt guilty about was that the money made so much of a difference to me. Shouldn't I have gotten there on my own? Shouldn't I have figured out money by my mid-30s? Shouldn't I have been more frugal? A parent's death shouldn't be a get-out-of-debt-free card. Maybe yes, maybe no. But spiritual counter-arguments of the "we all have our own paths and timelines" persuasion fall on deaf ears when you're eager to feel terrible about yourself.
Money guilt, even though I'm not in the same dire $257-away-from-being-flat-broke straits as I once was, still rears its goblin head to stick out its tongue at me. Especially when I choose not to earn it.
A few months ago, I did a scary thing. When my last two big freelance contracts ended at almost precisely the same time, rather than engage in my usual six stages of coping - panic, worry, panic again, get over it, write things that excite me for awhile, hunt for a new client, find a new client - I opted to skip the panic part.
Instead, I decided to buy myself two months to write what I wanted to write, to work on projects that fed me rather than drained me, to both invest deeply in work I want to do and take the adult's version of summer vacation. Three days after I made the decision, I finished my book of animal stories. Vindication! My choice was the right one! Tainted by only the smallest amount of guilt. Yes, part of the deal of buying myself two months of writing was that I wasn't allowed to feel bad about it, but the gremlins devour good intentions like candy corn. Then a few weeks later, my channeled blog was born. Now I'm creating some stuff for writers who want to learn how to use their intuition to make the whole process of writing easier and more fun and hopefully more likely to wow the world with their mad genius. (Do you know any writers who'd be into this? Send 'em my way! Are you a writer who'd be into this?) It's fun and I love it and now I get to love rather than dread sitting down to work.
But now I'm at the end of my two months. I deeply want to keep investing in my own work and I do have the means to do it, but the Real Adults Make Money (Preferably Lots of Money) belief is tough to elude. So are the gremlins of "this is self-indulgent" and "who are you to think you can make money doing what you actually want to do?" and the "lucky you, you certainly couldn't do this if you had a family to take care of!" All I can do is confront them head on and decide what's truly important to me. While doing my best to untangle my own issues around money and trust in myself and my abilities.
My issues with money are mostly just my issues with myself - where I don't trust myself, where I don't trust my work, where I don't trust the world. But trust is a muscle. All you can do is lean on it and hope it grows stronger.
Life stretches out, empty. But maybe life’s not a forever silent house and a perpetually pristine rug. Maybe it’s a bucket waiting to be filled. Joy bursts with noise. Resounds in silence. Echoes color refracted from light. It’s always there, for it relies on nothing.
Leaves tap the window in a boundless cycle of growth, death, renewal. Hard to despair, if your eyes remember to seek out the green.
Releasing the illusion of control isn’t giving up so much as abandoning the fraught tension of worry that felt ever-present.
Purple blooms in a white enamel pot. The pot is labeled “Flowers.” A declaration, without irony, of what is and what will be. If given proper care.
Storytime. This one tugs on an ear, that one flops over in rapture. Another tries to climb inside the book, as if he could live inside what’s being told.
A stack of books tells me I eat too much meat and my sugar intake is questionable. I weigh it down with calendars and lists and a dish of rosy paper hearts.
Rocks glow near iron birds eternally perched. Shades of crimson because feng shui says that red near the bed invites love. It worked.
One day, I want to be the eccentric woman on the hill with a menagerie. I've already scouted out the hill - there's a perfect one right near my hobbit cottage, marked by a sign urging dog owners to keep hold of their pets so they don't terrify the goats. I want a hill with goats and giraffes maybe a water park for a baby porpoise and a few adventurous hippos. I almost started my menagerie on Sunday morning when we were walking through the town square for coffee. A man had four puppies on a leash and he was parked in a spot where people would stop to play with the dogs, which we promptly did. I know myself well enough to give puppies a wide berth but the manfriend was playing with them before I could coax him to a safer spot, one far away from puppies who need homes. Inevitably, one of the puppies crawled over to me and started to lick my hand until I was about thirty seconds from breaking my lease and smuggling a dog into my house. I might have even done it, if housing wasn't so desperately hard to find in the Bay Area.
We hadn't made it out of the town square before I started crying because I wanted a puppy. Not just a puppy, that puppy. We had to spend the rest of the day comforting me with discussion about how puppies pee on favorite rugs and chew on hot pink ballet flats.
Yesterday, I started crying in a diner when I saw an empty baby carrier sitting on the ground.
One could chalk this up to hormones - and I usually do - but it feels like a symptom of something bigger.
My life is very quiet. I have a lot of time and space alone. I know that friends with pets and kids and jobs would kill for the life I lead, or at least they would for a week or so, before they started missing their children and pets. But at some point, a few years in, the quiet begins to echo. It's not emptiness precisely, but it is solitary. And I don't believe we're meant to be solitary creatures.
I've had people tell me not to wait too long before having children - but it's not a question of waiting. It's a question of timing. I've been knocking myself out, believing that I have complete control over what happens in my life and when. But the more I abandon the idea of control and just allow things to happen as they will, the easier everything gets.
But I will continue to dream of a time when there are kids and animals tumbling over hills. Even if the giraffe remains a bit of a stretch.
I'm a hormonal, sugar-fueled mess this week. I find these labels empowering. Because they give me reasons and solutions for the way I feel. You're cranky, hungry, tired, and head-achey because being a female is terrible sometimes. To feel better, wait.
You're cranky, hungry, tired and head-achey because you've been eating a lot of things that you know are bad for you. To feel better, stop eating sugar.
Unfortunately, the blithe "stop eating sugar" mandate is tough sell right now.
Sugar is my achilles heel. My mouth loves it, my body hates it. If I eat sugar, I feel tired and cranky and my brain goes foggy and my skin breaks out and I have cravings for a week.
In the past, simply acknowledging the cycle and recognizing how much worse my life is when I'm eating sugar has been enough to pop me out of the dreaded cycle.
Making good food choices is an experiential process. Quitting certain foods to lose weight or because it's healthier isn't enough of an incentive for me, because the concepts are too vague. Vague does not hold up well when confronted with butterscotch pudding on a sunny patio. But experimenting with alterations - over the past five years, I've experimented with raw, vegan, and no sugar - for long enough to learn how I feel and how my life shifts without those things provides amazing incentives. Like, stop eating that thing and life gets 100% better and you know this to be a fact. Now, that's an incentive.
When I'm off sugar, I don't have food cravings, I sleep well, my energy is high, creative work feels easy, my moods are cheerful, my skin is clear and my jeans fit.
But sugar is in everything. It’s in your curry chicken when you go out for Indian food, it’s in bread you buy at the grocery store, it’s in basically any food that comes in a box or from a restaurant. It also craftily hides under innocuously healthy sounding names, like honey and brown rice syrup. Alcohol reacts in your body the same way sugar does. So do potatoes.
Sugar is also in pancakes and oh my stars, how I love pancakes. Green juice is so terribly uninspiring when what you really want is a stack of buttery blueberry pancakes.
But pancakes make me feel terrible and green juice makes me feel like I’m flying through the sky on a friendly dragon.
I’ve been dabbling in sugar again, because I've been going out to eat a lot more often than in past years and I'm in a relationship now so my exercise routine is all thrown off and also the demon of over-confidence started to whisper in my ear about how "sugar doesn't affect you that much!" and "you're fine!" and "mmm, buttercream-frosted cupcakes!"
I’ve given up sugar four or five times now. Sometimes it lasts for a year, sometimes it lasts for six months, last week it lasted for about three days. Usually, I have to hit some point of pain - like watching the sugar cycle of crankiness and depression roller coaster me up and down for awhile until I decide it’s absolutely 100% not worth it. Then everything clicks in and abandoning sugar feels easy for green juice feels easy. But I just haven't hit that point yet. And I'm a little mad at myself because I need that point.
Willpower isn't really a thing for me. I have no interest in torturing myself, even for the sake of health or feeling better. Self-control and discipline have never made me jump for joy. So I wait until eating sugar is actually a more painful prospect than not eating sugar and everything gets easy.
Who's been crying a lot lately? ME TOO.
After years of desperately wishing I had been born with an instruction manual because I really don't understand how I operate and am prone to pulling the wrong levers, I'm finally noticing how deeply my emotions can help or inhibit me.
If I observe and express them - usually by sobbing like my heart's about to shatter like glass on concrete - they help me.
If I ignore them or decide I don't have time for them right now because I have to watch TV or because whatever's on my to-do list is infinitely more pressing, they inhibit me.
When I let myself carry around unexpressed emotion, it totally blocks me up. To the point where I can't function. Getting client work done is like pushing a two-story house up a cliff using only my thumbs and writing anything creative is impossible. My brain spends all its energy coughing up all the reasons my relationships don't work and why everything is terrible and why that won't ever change.
But when I let myself cry - sob, really, in the most dramatic fashion possible - in an hour or so, everything feels better.
My therapist told me I needed to cry more and I thought that was silly. "I cry the perfect amount," I thought. But then I'd go for a week or two without giving much attention to my emotional state and everything would begin to pile on top of me like layers of fog and dust and rubbish until my entire life felt like a toxic waste site. Crying is like washing away the acres of sludge with a convenient tsunami that leaves everything clear and ready for whatever's next.
I feel like someone just handed me that instruction manual. 437 pages on How Amber Works, complete with diagrams. Now every time I feel incapable of getting anything done, it's not because I'm lazy or unmotivated or undisciplined or in the wrong career or a complete waste of space. It just means that I need to go outside and stick my bare feet in the grass and cry for awhile. Or go make a list of everything I'm feeling sad and angry about. The signs have been pointing me in this direction for a long time, I was just too caught up in telling myself I was a bad human to see what was really going on.
Crying is incredibly freeing. It releases whatever has piled up on top of you and wipes your outlook on life clean. Crying makes you happier, smarter, more productive, and less prone to guilt trips. Crying takes the mess your three-year-old inner self has made on the etch-a-sketch of your life and shakes it clear.
I think we should all spend some time crying today. Maybe even every day.
Death cracks you open. Watching someone you love take that final journey leaves you flattened and groundless. We don’t know what’s next for them. We can’t follow. We can’t understand how it feels to face the end of your life or the mental, emotional, and physical territory that comes with it. I don’t believe that those who die are lost. I don't believe that we're purely biological lights that flicker out when bodies give up. I believe we have an essence. A soul, if you will, that soldiers on after our body gives up. But it's a very human thing to want proof and science still doesn't know quite what to make of death. So each of us has to choose what we believe - and then, more importantly, choose what to do with that belief.
Sitting in the car with my father and talking about god is one of my earliest memories. I told him I didn't believe in any religion that taught us to fear god, because I didn't think god worked that way. His reply didn't survive my precarious and sieve-like memory bank, but I remember feeling like he was proud of me.
The idea of god as a judgmental white-bearded dude in the sky never seemed quite right. One night when I was young, seven or eight maybe, I decided that god was made of people - the best parts of people, what we are at our purest and most loving. I saw each person as a bright pinprick of light, like a star. I remember deciding that we’re our own individual sparks here in this body, in this life. But when we die, our light gathers and joins that of everyone else in a much larger light, bright and vast. God as a separate entity doesn’t exist, because we are all god.
I’m not sure where this came from - maybe I absorbed this idea from the metaphysical books that lined the shelves of our living room when I was growing up, maybe it was a burst of intuition that came through before my brain and ego began to shut me down, maybe I invented it because it seemed like a nice idea. But I remember feeling comforted by the idea of a great light to return to as I lived my relatively average but not exempt from pain life.
But when your father is dying, all you can do is feed him ice cream when he asks for it and play John Coltrane you’re not sure he can hear and then send him off into the deep unknown and trust that whatever comes next is better than where he was.
Turns out, I'm not going to live forever. It also happens that if I want children, my childless days will be coming to a rapid halt in the very near future. I'll be 37 in July, guys. Which gives me a rather short span of time to do everything I want to do ever before kids muck it all up. So in the next year or two, I need to have many amazing adventures, spend a month in Bali and France, learn how to earn a lot of money while also having plenty of time to hang out with babies, and, I dunno, buy a house or something. It's a hefty to-do list. What does a person do when they suddenly realize they don't have forever to do all the things they want in life? If you're me, you decide to devote yourself wholeheartedly to writing animal stories, and pretending you have answers on youtube. Because animal stories are obviously the way to get to Bali and also have plenty of money to pay for babies. Cough.
I'm forging a path that doesn't necessarily make good, common sense. Do I believe it's possible to have what I truly want in life? Absolutely. Do I have any idea how to do it? Nope. But to build the life you want, one that doesn't necessarily look like everyone else's, you have to listen to yourself. You have to get really clear on what you truly want to do, what you truly have to offer, and offer it up in the best way you can in that moment.
I have anywhere from one to three years to make a lot of things happen for myself before it's baby go-time. It feels more possible than ever, but only if I follow my intuition. Because that's the only thing that can tell me how to get where I really want to go.
I literally wrote the book on freelance writing (fine, one of the many books on freelance writing), but I've started to realize that freelance writing isn't actually what I want to do. I don't want to write for other publications, I don't want to hustle, I don't want to pitch. It exhausts and drains me and it's taken me fifteen years to admit that. In Turning Pro, Steven Pressfield talks about shadow careers, about career paths that resemble what you want to do but are really just a form of resistance. I've been resisting what I actually want to do for a decade and a half now. In many ways, I do love freelance writing. I love talking to people about their jobs and their passions and their businesses and I love writing about burlesque dancers and chefs and mountain climbers and canny CEOS. And I will happily continue to do it until what I actually want to do begins to make sense in the real world.
Here's the paradox: In order for writing animal stories to make sense as a career choice in the real world, I have to abandon the real world. I have to allow myself to dream in a way that felt foreign even just a few months ago. Because I want to be an artist - yes, a writer, but not a writer in any of its more professional, practical forms. I want to write ridiculous stories about talking raccoons who wear cravats and go on adventures. I want to channel for people, something that I still have trouble saying out loud because what?
Owning what you really want isn't always easy, especially when what you really want wouldn't make sense to most people you pass on the street. But that just makes it even more essential that you do it. We need the strange and unconventional and creative in this world now more than ever. Because if we keep doing it the way we've always done, we'll keep getting what we've always gotten.
Last week, we drove along the coast of California until we hit Esalen in Big Sur. When we pulled up to the gate, they handed us a key that sent us here:
Sometimes the universe sends you a literal and unmissable sign, and that sign says, "Go right ahead and be an artist, you irrepressible hippie, you." And so I shall.
The more interesting my life gets, the less compelled I feel to write about it. This is new for me, because writing about my life used to be my favorite thing. Mostly because it was how I figured out myself and my world. Either I've gotten speedier at diagnosing the misalignment of my internal cogs or I've stopped caring. But since I love writing, when I stopped being super intrigued by myself, I had to write about something else. So my inner world spit forth a tiny British town full of nattily-dressed raccoons, scone-baking dormice, world-weary lemurs, and not-so-clever foxes. Since I also love this blog and wanted to share, I posted my first raccoon story with zero explanation or introduction, which led one person to wonder if it was some extended animal metaphor for my life. (It was not, though I dearly wish it was.) I presume it lead everyone else who read more than a paragraph to scratch their heads and wonder what sort of illegal substances I've gotten into this time. (None, surprisingly.)
I've written about nine of these animal stories and don't seem to be stopping, so I may keep sharing them here. Or I may not. For everything is subject to my whim and that's the way I like it. It seems to be shaping into a series of stories for kids in the six to ten range, so if you have one of those and think they might like reading/hearing about raccoons and displaced giraffes, let me know and I will send you chapters as I finish them.
My other project has been creating a youtube series with my friend Ben. He's an official licensed-in-the-state-of-California therapist. I'm not licensed to do anything in the state of California except drive and even that seems a bit questionable at times. But if you spend a great deal of your life trying to figure yourself and the world out, you end up with a lot of opinions. So we turned on the camera and started talking about things like making friends and rejection and finding your life purpose.
Someone called it Car Talk for Therapists, which tickled the hell out of me because I always loved Car Talk. I couldn't care less about cars, but they always sounded like they were having so much fun. That's sort of what we're hoping will happen with this - we find ourselves very entertaining, thank you - but we're still experimenting. The videos are here, if you're interested. Now that we've made a bunch of them, we're looking for ways to make them as fun and useful as possible. Suggestions and heckling welcome.
When someone dies, they leave behind a lot of stuff. Emotional stuff, yes, but also a shed full of thirty-year-old gardening magazines. To the best of my knowledge, the only time my father ever tried to grow anything was when he bought and planted a rosebush. His definition of gardening was building an electric fence around his flowers to keep the deer from chewing on them. An electric fence seems like overkill, but given that he peered out his front window one night and found a mountain lion on his porch gnawing on a deer haunch, maybe it was warranted.
At least the lion avoided the roses.
Dad lived up in the Santa Cruz mountains, miles down a dirt road, on ten acres of land that includes redwoods and a stream. Not bad, if you like that kind of thing. I remember lying in a hammock strung between two redwoods and reading Calvin & Hobbes in the sun. I would go stone hopping along the creek, followed by one of Dad's more adventurous cats.
Going through his stuff after he died, I began to fully understand some of our shared character traits. Dad had tons of educational materials he bought and never opened. So do I. He thought about writing a novel for years - we talked about it and he had copious and carefully organized plot notes. As far as I can tell, he died before he wrote the first chapter.
It's a form of resistance. You take the first step and then you drag your feet on taking the second step - sometimes for years. But what I've learned since is that you can always make a new choice. Just because Dad didn't ever start his novel doesn't mean I won't ever finish mine. Just because he never cracked open his audio courses on world religions doesn't mean I have to go to my grave having never finished reading my copy of Die Empty. It's easy to get lost in the comforting warmth of familial bonds, but his choices do not have to be mine. His struggles don't have to dictate my eagerness to build and create and learn.
Dad loved fantasy and science fiction. Sick to death of endless recitations of Goodnight Moon, he read me The Hobbit when I was three years old. I'd sit on the couch next to him with my sippy cup and security blanket and absorb tales of trolls and wizards and rings of power. He had vast bookshelves of the stuff and spent years upon years developing ideas for his own series without ever putting a word to paper.
He left behind a lot of stuff. My question is, what did he take with him?
Stephenie Meyer says her Twilight series came to her in a dream, and she transcribed her world of glittering vampires and adolescent fantasy onto paper and sold millions upon millions of copies. I like to think that will happen to Dad in his next life. That he'll wake up one morning and the plot line he spent years upon years developing in this life will burst into his brain fully formed, and all he'll have to do is copy it down. So maybe the work of this life won't be lost.
If you want to extrapolate wild theories based on a belief in reincarnation and soul memory, this could explain people like Mozart. You spend years, decades, lifetimes learning the rules, practicing the notes, playing the scales. Maybe you spend three deeply aggravating lifetimes being on of those people who tries and tries and never quite make it - and then you get born Adele and win Grammies and Oscars in your early 20s, after making the whole world shake with your music. I don't know. But I like to think that's possible and that my dad will get to see his work in print, even if the author plate holds a different name and picture.
Isn't that a nice thought? That even if you die without fulfilling a dream, all your work of this life could pay off in the next. Maybe nothing is wasted. So if you love something, do it. If you're bad at it, who cares? Even if you haven't the slightest hint of talent, practice as hard as you can. Maybe it will pay off two hundred years from now when you look completely different and have a license for a flying car. Maybe I should keep singing in the shower. Just because I sound like a choking alley cat doesn't mean that a few rounds from now I won't be Taylor Swift.
I like to think that maybe my dad will be born into another body in ten, twenty, fifty years and he'll want to be a writer, and that plot and world that he spent decades of this life developing and dreaming and researching will come to him, fully formed, like it was coming from another time or place. Maybe he won't understand it but he'll trust it and run with it. And the book he wanted to write in this life will be written in his next.
As your eyes pass over the line of Pinterest-perfect pumpkins - toothy smiles and hipster owls and even the Golden Gate Bridge carved into squash - you might notice a cluster of pumpkins at the end, pumpkins that aren't like the others. Slightly dim but full of personality. The sort of pumpkins that would pull the station wagon to a screeching, smoky halt by the side of the road because a freshly-killed squirrel was spotted, a squirrel that would do well in a bowl of chili or maybe cured into jerky. Obviously a family. Not the brightest, maybe a little physically impaired, but happy, secure in their tribe.
After an afternoon of mulled wine, lizard staring contests, and scooping pumpkin guts, we loaded our pumpkin family into the back of my car. They rode around for a few days, windows rolled down to disperse the pumpkin smell, until we finally had to decide what to do with them. When I proposed taking one or two home and leaving him with the rest for his apartment building, he looked at me in shock. "We can't split them up! They need each other!"
I collected myself, horrified by my insensitivity. Of course they need to stick together. They would be lonely. No one else would understand them. The round little mother would be devastated without her crooked-grinned husband. The adopted sibling, a bug-eyed genius who needs to carve carrots into perfect replicas of Bic pens before eating them, wouldn't mesh well with normal society. The cyclops would smash into walls and knock over tables without her buck-toothed brother to lead her around random bits of furniture. (Her peripheral vision isn't all that great.)
So we scoured the streets until we found a good spot under a tree near Dolores Park. As we tucked our pumpkin family into their new home, a herd of schoolchildren passed, yelling out Happy Halloween!s and complimenting our jack-o-lanterns.
They had found their place, and they were happy.
I've been thinking about dreams lately. Where they come from, how we interact with them, how we can allow or block them, depending on what we need at the time. Even the grandest of dreams are simple at their core, stemming from a desire for connection, creation, love, healing, impact. Most dreams, when you tunnel down to their essence, land on this Venn diagram.
Dreams can get blocked. For a long time, I thought I could wrench myself into productivity. But I'm learning that when things aren't flowing or my energy is low - that's a message. I can try to blast through the message, placate my brain's need to make things happen with new systems or schedules. But that never works for long - a few days, or a few weeks at the most. In the end, if I want to get where I'm going, I have to listen to what's coming to me.
My body gives me information. It's a brilliant tuning fork for my emotional and spiritual state. If there's some feeling I'm trying to repress, my body won't let me go anywhere until I figure it out and process it. If there's a lesson I need, everything will conspire to take me down until I learn it. It's a marvelous and deeply annoying system. It's marvelous how profound it is, when you peer into it. Marvelous that doing what my body and spirit needs has been prioritized over impressive achievements or success or any of the other things my ego finds desperately important.
But when I look at it from a larger perspective - one that doesn't pay any mind to my own admittedly arbitrary goals or schedules - it's a beautiful, shifting network guiding me where I ultimately want to go, passing up things I thought I needed or wanted so it can take me toward what will truly fill me up. The world is a brilliant system of information and if you trust the random influx of messages that come to you, they can lead you like fireflies in the dark toward what you most want. But you have to trust what comes and, most of all, you have to trust yourself.
Last week, a woman on Twitter wanted a book. I read her tweet and thought, "I can afford that. Should I do it? I should." So I did. I got this in the mail from the author of the book a few days later. Twitter is its own brand of magic.
Dreams will reshuffle and reform. My dreams center most around love and creation. If I try to force those dreams, they skitter away. But if I sink into the messages that my body and my soul and the world around me send, I am pulled onto a path I didn't expect but feels bigger and lighter than any path I could have dreamed on my own.
Fear is the emotional equivalent of termites. Find a tiny sliver of fear stashed away somewhere and suddenly your house is full of it. When I talk to people who fear things I used to fear - spiders, economic collapse, glitter eyeshadow - I start to get worried. Fear breeds quickly and discussions of Terrible Things That Should Make Any Sensible Person Very Scared kick up my dread of being sucked back into that sticky black mire. Like being sent back to stormy Kansas after tromping through the Emerald City. I'd prefer to avoid tornadoes, thank you.
Fear itself doesn't scare me much - it's mostly visceral. It feels like a blow to the solar plexus that shortens the breath. So if you just remember to breathe, it will pass.
Oddly enough, that's also what excitement feels like.
Maybe it's possible that fear is really excitement. Maybe it's possible to rewrite fear as opportunity. I have to look at what I fear and what that fear is calling me toward. More action? Less action? Rather than just breathing through the fear, rather than just surviving it, transform it. What wonderful things are waiting beyond the sticky black mire?
When I look at today's episode of fear, I realize that I fear not following my own self-knowledge. I fear letting other people's beliefs sway me. I fear that the world will prove to be as grim as all the news outlets are yelling it is. But if I allow myself to trust my response and my knowledge and my choices, then I can start to see the opportunities. Opportunities to let go of old stories that came from a father who would rather bury his money in the woods than trust it to a bank. Opportunities to allow myself the space to do what's right for me, opportunities to recognize that there is no right or wrong, there's only what feels right in the moment. Opportunities to follow what makes me feel good and inspired, because feeling good and inspired is the only way I can hope to affect the world for the better.
When I do this, the weight in my solar plexus starts to resemble a bird - a bird with strong wings that can pull me up out of the tornado.
Crushing, soul-grinding doubt seems to be the legacy of humanity. We doubt our worth, our contribution, our ability to meet the standards that society or we ourselves have set. I spend a reasonable chunk of every day convinced that I’m not doing enough, feeling enough, living enough, earning enough, being enough. Why on earth would I do that? Why on earth would I pour so much of my finite energy into a sticky black pit of doubt?
Why isn’t it enough to be breathing every day? Why isn’t it enough to wake up, put your feet on the ground and think, “How can I help today?” Or wake up, put your feet on the ground and think, “How can I have fun today?” Why do most of our early morning thoughts begin with, “How can I survive today?”
My tiny-fist-shaken-at-the-sky rhetorical questions crop up whenever I find myself in the unconscious loop of work and budgets and doing all the things I don't particularly want to do in hopes of one day being able to do what I really want to do. I have a bad habit of feeling like a victim of my own life rather than its creator. But work and budgets and doing things you don't particularly want to do right this very minute aren't bad. Sometimes work and budgets and things you don't want to do right this very minute really are a good idea. It's not so important what you do, as long as you're being conscious
I don't believe we're here to eke out whatever small life we can manage. I prefer to think of us as wizards of our environment, whisking what we most want out of the ether the way Dumbledore presents hundreds of thirsty adolescents with jugs of pumpkin juice. We're here to make what we want to make and do what brings us joy and spend as much time as we can in the midst of things that light us up - whether that's music or writing or knitting or running through dewy grass or eating that expensive granola that you feel bad for buying. (STOP FEELING BAD FOR BUYING THE GRANOLA YOU ACTUALLY ENJOY.)
Creation beats sacrifice. Joy beats doubt. Picking up a stick on your morning walk to wave like a found magic wand while pretending to be Dumbledore and yelling, "I shall conjure up time for more writing and plane trips to visit friends and also better breakfast cereal!" beats just about everything.
In my perfect world, the world I'd like to create for myself because I am an almighty god person who can mold her environment to her every whim, I get to spend all my work hours writing about things that mean something to me. And "all my work hours" cap out at about three or four hours a day. All the hours that come after that get to be spent picking cherries in a sunlit orchard or something. My time is mostly spent having adventures with my favorite people and taking care of my family, including one or two moderately well-behaved children. Living life, then turning around and writing about it.
What trips me up is what I think I need to get this life. As I dive into the How To Make Amber's Dream a Real World Thing, I enter an uncomfortable space. To get a book published you need x, where x = brilliant idea or ready-made audience of a hundred thousand or some unspecified brand of magic. To get an essay published somewhere people have heard of, you need to have a book published. To make money at any of this you have to be a wizard of many disciplines, and my brain has mastered only whimsy and baby animals. I build up insurmountable roadblocks in my head until I wind up going in aimless circles.
I don't have a clear roadmap and that makes me uncomfortable. Even with roadmaps, I tend to get lost. Even the omniscient voice of the GPS deity can't account for every variable and all it takes is one off-kilter message to send me twenty minutes out of my way on a ten minute trip.
What I want to do comes from a good place - writing brings me joy and helps me learn more about myself in the world. I want my writing to help me feel more love - for myself, my people, and the world; and I hope it does so for others as well. I want to transcribe my soul so that maybe people can learn to see theirs in a new way. It's a little grandiose, but hey, if you don't hand yourself a purpose, who will?
I don't like posting this. I don't feel comfortable saying, "I want to be published. I want to write books that sell to a lot of people. No, more people than that. Just go ahead and double the most outrageous number you can think of. That's what I want. So I can write a few hours a day and spend the rest of my time with my family." Because to this day - despite my belief that if you really want something, you have the capacity to get it, despite what I would say to anyone else who approached me with this problem - I still think, "Who am I to want that? Who am I to think about getting that, when so many other people want that too?"
When I think about Publishing and Audience Building and All The Things You Need To Make That Life Happen, I just want to open my closet door, arrange my shoes and sweaters into a nest, and curl up in the dark for a week or two. I stop writing and start focusing on what I think I need to do in order to write. Which doesn't make any sense.
So I have to trust. Trust that my work will find its people and its place. Trust that I can live the way I want to live and spend my time doing what I want to do. When I twist it up in my head because I don't know how to make it happen and spend my time worrying and not doing, I learn what trust is. Trusting that the path leads where I want it to go even though I don't know what that path looks like.
What I want is actually contained in a very simple process - create and share. Create and share. Write, finish, ship, repeat. No matter what the fear in my head sounds like, the answer remains the same. Meaning, the more I write and the less I tangle myself up in what it feels like I have to do, the happier I am. Because writing is all I ever wanted to do in the first place.